Atividade 2 - Discurso direto e indireto

Propaganda
Atividade 2 - Discurso direto e indireto
Leia a História em quadrinhos disponível no seguinte endereço:
http://gorpacult.blogspot.com.br/2013/09/quem-nunca-se-rendeu-uma-boahistoria_1845.html
QUESTÃO 01
Responda:
 Quais os nomes das personagens?
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 Quais as diferenças entre os balões?
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 Que elementos não-verbais são usados para reforçar os sentimentos das personagens?
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 Que sentimentos elas demonstram apenas pela fisionomia?
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 Quais cores estão presentes nos quadrinhos?
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 Quais cores se repetem?
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 Por que as cores se repetem?
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 Quais cores não se repetem?
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 Qual a ordem dos quadrinhos?
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 Pouco dos desenhos saem dos quadrinhos. Quando isso acontece?
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 A linguagem do quadrinho é formal ou informal?
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 Para que leitor o quadrinho se destina?
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 Como a historinha marca o discurso direto?
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 Por que ele é um discurso direto?
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QUESTÃO 02
a- Transforme a história em quadrinhos em um texto formal escrito verbal. Para isso, utilize-se de
todos os elementos necessários para os ajustes.
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b- REESCREVA mais uma vez, o texto, utilizando, agora, outra forma de marcar o discurso direto
que seja diferente da do texto e da do seu texto (letra A).
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c- REESCREVA novamente o texto, utilizando-se, agora, do discurso indireto.
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Leia a tirinha da Mafalda, disponível no seguinte endereço:
http://musikemoda.blogspot.com.br/2013/02/mafalda-comunicacao-humana.html
QUESTÃO 03
EXPLIQUE a que ―comunicação‖ Mafalda faz referência na história trazida pela tirinha.
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QUESTÃO 04
a- Transforme a história em quadrinhos em um texto formal escrito verbal. Para isso, utilize-se de
todos os elementos necessários para os ajustes.
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b- REESCREVA, mais uma vez, o texto, utilizando, agora, de outra forma de marcar o discurso
direto, que seja diferente da do texto e da do seu texto (letra A).
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c- REESCREVA novamente o texto, utilizando-se, agora, do discurso indireto.
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HAMLET
Ato III, CENA I
PRÍNCIPE HAMLET –
Ser o não ser — eis a questão.
Será mais nobre sofrer na alma
Pedradas e flechadas do destino feroz
Ou pegar em armas contra o mar de angústias —
E, combatendo-o, dar-lhe fim? Morrer; dormir;
Só isso. E com o sono — dizem — extinguir
Dores do coração e as mil mazelas naturais
A que a carne é sujeito; eis uma consumação
Ardente desejável. Morrer — dormir —
Dormir! Talvez sonhar. Aí está o obstáculo!
FERNANDES, Millôr. In Revista Língua Portuguesa. Ano 07, nº 79, maio de 2012. P.38.(adaptação)
O texto anterior é um trecho da peça teatral de Willian Shakespeare. A peça reconta a história de
como o Príncipe Hamlet tenta vingar a morte de seu pai, o rei.
QUESTÃO 06
Verifica-se que o autor utiliza, nesse trecho da peça, uma linguagem predominantemente
A) coloquial, pois o assunto dramatizado é pitoresco, trivial.
B) formal, pois o personagem era um membro da nobreza.
C) inovadora, pois cria novas palavras: ―mazelas‖ e ―consumação‖.
D) popular, pois o teatro é um tipo de expressão artística.
E) regionalista, pois há uma forma de falar típica de uma região.
QUESTÃO 07
Observe que a peça teatral de Shakespeare é marcada por um discurso direto. Geralmente peças
de teatro não têm narrador.
Identifique a marca do discurso direto utilizada.
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Reescreva o trecho da peça, mudando a forma de marcar o discurso direto.
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