Corel Ventura - INICIO.CHP

7BE@?C45D51DB?
4B1=1DEB7?C5
5C@1q?3Á>93?
SU^QcV_bQTQ_bTU]
;vdYQB_TbYWeUc@QbQ^X_c
_bWQ^YjQT_bQ
7BE@?C45D51DB?
4B1=1DEB7?C5
5C@1q?3Á>93?
SU^QcV_bQTQ_bTU]
®
'$'26,17(51$&,21$,6'(&$7$/2*$d®21$38%/,&$d®2&,3
&Ç0$5$%5$6,/(,5$'2/,95263%5$6,/
*UXSRVGHWHDWURGUDPDWXUJRHHVSDoRFrQLFRFHQDVIRUDGDRUGHP.iWLD
5RGULJXHV3DUDQKRVRUJDQL]DGRUD²&DPSLQDV630HUFDGRGH/HWUDV
$SRLR)DSHPLJ
9iULRVDXWRUHV
,6%1
$UWHVFrQLFDV'UDPDWXUJLD'UDPDWXUJRV7HDWUR7HDWUR²
%UDVLO²+LVWyULD7HDWUR+LVWyULDHFUtWLFD,3DUDQKRV.iWLD5RGULJXHV
&''
ÌQGLFHVSDUDFDWiORJRVLVWHPiWLFR
SURMHWRJUiILFRHFDSD9DQGH5RWWD*RPLGH
,PDJHP2MDUGLP)RWRUHDOL]DGDSRU*LOVRQ0RWWD
DSDUWLUGRYtGHRGRHVSHWiFXOR
SUHSDUDomRGRVRULJLQDLV(GLWRUD0HUFDGRGH/HWUDV
',5(,7265(6(59$'263$5$$/Ì1*8$32578*8(6$
©0(5&$'2'(/(75$6(',d¯(6(/,95$5,$/7'$
5XD-RmRGD&UX]H6RX]D
7HOHID[
²&DPSLQDV63%UDVLO
ZZZPHUFDGRGHOHWUDVFRPEU
OLYURV#PHUFDGRGHOHWUDVFRPEU
,(',d®2
'(=(0%52
&RQIRUPHDVQRYDVQRUPDVGDRUWRJUDILDGR
'HFUHWR/HJLVODWLYRQ4GHGHDEULOGH
³,035(66®2',*,7$/³
(VWDREUDHVWiSURWHJLGDSHOD/HL
eSURLELGDVXDUHSURGXomRSDUFLDORXWRWDO
VHPDDXWRUL]DomRSUpYLDGR(GLWRU2LQIUDWRU
HVWDUiVXMHLWRjVSHQDOLGDGHVSUHYLVWDVQD/HL
Ce]vbY_
$SUHVHQWDomR´$OJXPDFRLVDHVWiIRUDGDRUGHPµ 2WHDWURVRERVROKDUHVGDFUtWLFDDUWHHFLYLOL]DomRQR
5LRGH-DQHLURHPPHDGRVGRVpFXOR;,; 'pERUD(O-DLFN$QGUDGH
$GUDPDWXUJLDSDXOLVWDQDHD&RPSDQKLD6HEDVWLmR$UUXGD
(OL]DEHWK$]HYHGR
8PDOHLWXUDGDWH[WXDOLGDGHHGDWHDWUDOLGDGH
QDHVFULWDUHYLVWHLUD 9HUD5HJLQD0DUWLQV&ROODoR
3DUDMXQWDURVSHGDVRVGR4RUSR6DQWR
-RmR$QGUp%ULWR*DUERJJLQL
&RPpGLDHWUDJpGLDQRWHDWURPRGHUQR$QWRQ7FKHNKRY
H-RUJH$QGUDGH /DULVVDGH2OLYHLUD1HYHV
3HODHVFDGDGH-RUJH$QGUDGHRQDVFLPHQWRGHXPD
WUDMHWyULDHQWUHDPHPyULDHDKLVWyULD %HULOR/XLJL'HLUy1RVHOOD
2~OWLPRFDUURXPDYLDJHPGHWUHP
FRP-RmRGDV1HYHV .iWLD5RGULJXHV3DUDQKRV
8PROKDUSDUDDFHQDVLPXOWkQHDQRWHDWUREUDVLOHLUR
PRGHUQRHFRQWHPSRUkQHR *LOVRQ0RWWD
7HDWURGHIURQWHLUDVHVSDoRGHIXJDHSHUWHQFLPHQWR 0DULDGR36RFRUUR&DOL[WR0DUTXHV H'LRQH3L]DUUR
2WHDWURKLVWRULDQGRDVUXDV´6HUUD6HUUD6HUUDGRUµ 1DUFLVR7HOOHV
1`bUcU^dQ|z_
²1\We]QS_YcQUcdvV_bQTQ_bTU]³!
OVWH[WRVUHXQLGRVQHVWHOLYURWrPRULJHQVGLYHUVDVTXHHQWUHWDQ
WRUHODFLRQDPVHGLUHWDPHQWHVmRUHVXOWDGRSRUXPODGRGRV(QFRQ
WURV5HJLRQDLVGH+LVWyULDGD$VVRFLDomR1DFLRQDOGH+LVWyULD²6HomR
6mR3DXOR$QSXK63HGRV6LPSyVLRV1DFLRQDLVGH+LVWyULD²UHDOL]D
GRVGHVGH²HSRURXWURGDFULDomRHPGRJUXSR+LVWyULD
7HDWURUHJLVWUDGRQR&RQVHOKR1DFLRQDOGH'HVHQYROYLPHQWR&LHQ
WtILFR H 7HFQROyJLFR &13T FRPR 'LUHWyULR GH 3HVTXLVD ² R TXH
SRVVLELOLWDUHXQLUPDLRUQ~PHURGHSHVVRDVLQWHUHVVDGDVHPVHLQWHJUDU
DHVVDVGLVFXVV}HV
6HXREMHWLYRQmRpRXWURVHQmRRIHUHFHUDROHLWRUXPTXDGURLQLFLDO
GDVGLIHUHQWHVFDWHJRULDVGHGLVFXUVRVHGHSUiWLFDVWHDWUDLVLQGRDOpPGDV
IRUPDVKHJHP{QLFDVH[LVWHQWHV1HVVHVHQWLGRYROWDRROKDUSDUDGLVFXUVRV
H SUiWLFDV WHDWUDLV QmR LOXPLQDGDV SHOD FUtWLFD SDUD GLVFXUVRV H SUiWLFDV
WHDWUDLVGHVORFDGDVRXVXEMXJDGDV
6H p YHUGDGH TXH D REUD GHYH VHU DQDOLVDGD HP VXDV DUWLFXODo}HV
LQWHUQDVQmRpPHQRVYHUGDGHTXHDRDSUHFLiODLVRODGDPHQWHSHUGHPRV
RXWURVVHQWLGRVTXHHODSRVVDWHUHQRVSULYDPRVGDSRVVLELOLGDGHGHSHQVDU
DWp TXH SRQWR HVWDUtDPRV DSHQDV UHSHWLQGR LQWHUSUHWDo}HV FRQVDJUDGDV
Título tomado emprestado de Veloso 1991.
*58326'(7($752'5$0$785*26((63$d2&È1,&2
1HVVDSHUVSHFWLYDWRUQDVHQHFHVViULRFRQVLGHUDURVP~OWLSORVSURFHVVRV
GHSURGXomRVRFLDOGHVLJQLILFDGRV&RPROHPEUD7kQLD%UDQGmRSS
O que se encontra na prateleira ao dispor do interessado são colchas de
retalhos e fragmentos, recortes localizados [...]. A respeito de diversas regiões
do Brasil, conhecemos muito pouco de sua história teatral; são mínimas as
informações disponíveis sobre a história do circo, um capítulo decisivo para
o conhecimento do teatro praticado no interior. A própria história de inúmeras
companhias de atores, pequenas, efêmeras, permanece sem ser escrita. [...]
Assim, a História do Teatro Brasileiro é sempre um desafio proposto às
sucessivas gerações de estudiosos. Ou seja, a História do Teatro Brasileiro
permanece por ser escrita, não foi escrita ainda.
'LDQWHGLVVRpSRVVtYHOSHUFHEHUTXHRVREMHWRVWHDWUDLVSRGHPVHU
XWLOL]DGRVFRPRGRFXPHQWRVQDVSHVTXLVDVDMXGDQGRDFRPSUHHQGHUHD
UHIOHWLUVREUHRVVHQWLGRVGRUHDOHPGHWHUPLQDGRSHUtRGR1HVVDPHGLGD
GHYHPRVVHPSUHQRVSHUJXQWDUTXDQGRRWH[WRIRLHVFULWRRXVHMDTXDOR
TXDGURKLVWyULFRFXOWXUDOHPTXHVHLQVHUH0DUWKD5LEHLURS
DFHQWXD
Mesmo entendendo que um texto teatral possa (e deva) sugerir uma série de
interpretações, isso não quer dizer que este texto possa permitir uma leitura
qualquer, definida por desejos individuais exteriores ao próprio texto.
[...] A qual tipo de leitor o texto se dirige? O que o texto pede ao leitor? Que
tipo de cooperação o texto espera de seus leitores? Se todo texto se dirige a
um leitor-modelo, deveríamos sempre nos perguntar no ato de leitura: qual
tipo de leitor o texto quer que eu seja? Quais são os procedimentos e as
estratégias utilizadas pelo texto para guiar este leitor fictício?
2 WHDWUR IXQFLRQD FRPR XP DWR FRPXQLFDWLYR XWLOL]D FyGLJRV ²
YHUEDLVJHVWXDLVYLVXDLVDXGLWLYRVFXOWXUDLVHVWpWLFRV²TXHSRVVLELOLWDPD
SHUFHSomRYLVXDOGRPXQGRHDFRQVWUXomRGHXPLPDJLQiULRVRFLDOSRLV
Para o crítico inglês Eric Bentley, o teatro político se refere tanto ao texto teatral como a
quando, onde e como ele é representado. Ver Bentley 1969.
(',725$0(5&$'2'(/(75$6
FRPXQLFDPXPDPHQVDJHPDVHXVUHFHSWRUHV$VVLPSRGHVHHQWHQGHUR
WHDWURFRPRXPHVSDoRSULYLOHJLDGRSDUDFDSWDUHPGLIHUHQWHVPRPHQWRV
KLVWyULFRVDVDUWLFXODo}HVHDVQHJRFLDo}HVGHLGHLDVHLPDJHQV2WHDWUR
SRUWDQWRFDUDFWHUL]DVHFRPRXPHVSDoRSOXUDOGHVLJQRVDSRQWDQGRSDUD
DPXOWLSOLFLGDGHGDVWUDPDVHGDVQDUUDWLYDVVRFLDLV
&RQVLGHUDPRVRIHQ{PHQRWHDWUDOHPWRGDDVXDDPSOLWXGHSURFX
UDQGRFRQYHUJLUDWHRULDHRID]HUWHDWUDO²RROKDUGRVFUtWLFRVDVH[SHULrQ
FLDVGDVFRPSDQKLDVHRSURFHVVRGHFULDomRHPVLDUHODomRGUDPDWXUJRV
HGUDPDWXUJLDWHDWURVHVSDoRItVLFRFrQLFRRQGHDVREUDVVmRDSUHVHQWD
GDV RV QRYRV WH[WRV FrQLFRV ² QmR HVTXHFHQGR DV YiULDV HVFRODV GH
SHQVDPHQWR TXH IXQGDPHQWDP DV GLYHUVDV YLYrQFLDV WHDWUDLV 6LJQLILFD
SRUWDQWRHOHJHUWDPEpPRXWURVWH[WRV²QmRDSHQDVRVIXQGDGRUHVOHJLWL
PDGRVGHQWURGHXPDWUDGLomRFXOWXUDO²HDLQGDWHQWDUFRPSUHHQGHUFRPR
VHGHXRVLOHQFLDPHQWRGRVWH[WRVQmRFRLQFLGHQWHVRXQmRDFHLWiYHLVSRU
HVVDWUDGLomR
'HQLV*XpQRXQGHVWDFDRFDUiWHUPXOWLIDFHWDGRGRWHDWURHP
VXDVDUWLFXODo}HVHSRVVLELOLGDGHVOHYDQGRHPFRQWDSDUDXPDDQiOLVHPDLV
DSURIXQGDGDWDQWRRS~EOLFRFRPRDDUTXLWHWXUDWHDWUDORDXWRUHRDWRU
'DPHVPDIRUPD5RJHU&KDUWLHUHYLGHQFLDRXWURDVSHFWRH[WUHPD
PHQWHLPSRUWDQWHD´QHJRFLDomRµHQWUHRWHDWURHRPXQGRVRFLDORXVHMD
D ´PDWHULDOLGDGH GR WH[WRµ GHYH VHU HQWHQGLGD FRPR XPD RSHUDomR TXH
LQFOXLDSURGXomRGRSUySULRWH[WRRGLVFXUVRDpSRFDROXJDUGHSURGXomR
HVXDWUDQVPLVVmR
$VLQYHVWLJDo}HVVREUHREMHWRVDUWtVWLFRVHDVPDLVGLYHUVDVUHSUH
VHQWDo}HVSRGHPDLQGDVHUMXVWLILFDGDVHFRPSUHHQGLGDVTXDQGRVHREVHUYD
QDV ~OWLPDV GpFDGDV XP FUHVFHQWH LQWHUHVVH SHODV WHPiWLFDV FXOWXUDLV e
ID]HQGR HFR D HVVD SURGXomR TXH VH HVWi SHQVDQGR R LQWHUGLVFLSOLQDU
UHIOHWLQGRDLQVHUomRGRVQRYRVREMHWRVHWDPEpPDDPSOLDomRGRVFDPSRV
GDFXOWXUDHGDVUHSUHVHQWDo}HV
(VWDLQLFLDWLYDHGLWRULDOGHYHPXLWRj)XQGDomRGH$PSDURj3HVTXL
VDGR(VWDGRGH0LQDV*HUDLV)DSHPLJj)XQGDomRGH$SRLR8QLYHUVL
WiULRGD8QLYHUVLGDGH)HGHUDOGH8EHUOkQGLD)$88)8HPHVSHFLDOQDV
ILJXUDVGH&LEHOH-DQXiULR)DULD$QD/XL]D'RUQHODV0RWDH6LOYDH5DIDHO
9LVLEHOOL-XVWLQRHj(GLWRUD0HUFDGRGH/HWUDVQDILJXUDGHVXDGLUHWRUD
0DULD(OLVD0HLUHOOHV
*58326'(7($752'5$0$785*26((63$d2&È1,&2
3RUILPYDOHUHFRUGDURFRPHQWiULRGH-RVp0LJXHO:LVQLNVREUH
´)RUDGDRUGHPµGH&DHWDQR9HORVR´HOHXOWUDSDVVDROLPLWHTXHREULJD
XPDFDQomRDWUD]HUXPDSRUWDIHFKDGD(OHGHL[DDOHWUDIOXLUVHJXLUVHX
FXUVRµ:LVQLN4XHYHQKDPHQWmRRVJUXSRVGHWHDWURRVGUDPD
WXUJRVHRVHVSHFWDGRUHVDSDUWLFLSDUGHVVDYLDJHPVHPIURQWHLUDV
.iWLD5RGULJXHV3DUDQKRV
%LEOLRJUDILD
%(17/(<(ULF2WHDWURHQJDMDGR5LRGH-DQHLUR=DKDU(GLWRUHV
%5$1'®27kQLD´$VODFXQDVHDVVpULHVSDGU}HVGHKLVWRULRJUDILD
QDV¶KLVWyULDVGRWHDWURQR%UDVLO·µLQ0267$d2(GpOFLRRUJ
3DUDXPDKLVWyULDFXOWXUDOGRWHDWUR)ORULDQySROLV-DUDJXiGR6XO'HVLJQ
(GLWRUD
&+$57,(55RJHU'RSDOFRjSiJLQD5LRGH-DQHLUR&DVDGD3DODYUD
*8e1281'HQLV$H[LELomRGDVSDODYUDVXPDLGHLDSROtWLFDGRWHDWUR
5LRGH-DQHLUR7HDWURGR3HTXHQR*HVWR
5,%(,520DUWKD´$OJXPDVFRQVLGHUDo}HVVREUHDDUWHGH¶LQWHU
SUHWDU·XPWH[WRWHDWUDOµLQ&$55(,5$$QGUpHWDORUJ0HWRGR
ORJLDVGHSHVTXLVDHPDUWHVFrQLFDV5LRGH-DQHLUR/HWUDV
:,61,. -RVp 0LJXHO 5HYLVWD GR &' 'LVSRQtYHO HP
KWWSZZZFDHWDQRYHORVRFRPEUVHFBGLVFRJUDBWH[WRVSKS"ODQJ
XDJH SWB%5LG $FHVVRHP
&'
9(/262 &DHWDQR ´)RUD GD RUGHPµ &LUFXODG{ 5LR GH -DQHLUR
3RO\JUDP
(',725$0(5&$'2'(/(75$6